Ignacio Corsini, recorded in February 1912, a series of matrices for the Victor Talking Machine Company
Co. The company, headquartered in Camden, New Jersey (USA), had sent to Buenos Aires for the third time to technicians who, by traveling recording equipment, they proceeded to perform among others, the first recordings of singer Knight.
This was the first time that Ignacio Corsini was faced with recording horn which were recorded at the time the mechanical recordings, also called "acoustic recordings."
discs were pressed and distributed probably between 1913 and 1914. Many of them are links from other performers and the orchestra led by Genaro Esposito, the itinerant singer Diego Munilla, the singer Juan Pedro Lopez, the duo Saul A. Salinas In Gilli, the Orchestra Arturo Rodriguez and Navas.
are a total of 23 disks, which contain 20 records than Ignacio Corsini. In some cases the same theme was repeated with different couplings.
This series of recordings was made in the city of Buenos Aires, in three sessions that took place the day:
- February 2, 1912, with two recordings (matrices H 480 to H 481). That same day also recorded Julio J. Otermin (matrices H 476 to H 479) and the duo of Saul Salinas and Augusto De Giuli (Matrix H 482 to H 488)
- February 3, 1912, with ten recordings (matrices H 489 and H 494, H matrices H 500 to 502). That same day, the duo also recorded Saul Salinas and Augusto De Giuli (Matrix H 495 to H 496) and Saul Salinas only (matrices H 497 to H 499)
- February 20, 1912, with 8 recordings (matrices H 620 and H 627). Ignacio Corsini was the only artist who made records that day.
The discography of Victor Caballero Cantor had been collected, but with errors in the discography included in the work of Dr. Ignacio Corsini (h).
data sessions, dates and numbers of matrices that provide below have been extracted from the "Encyclopedic Discography of Victor Recordings, so we interpret that this is the definitive discography Victor Ignacio Corsini:
63712 A - I come (Tango) - Orchestra Gender (M 679 - 28/02/1912)
63712 B - Violets (Waltz) - Ignacio Corsini (H 490 - 03/02/1912)
63717 A - Silent Night (Waltz)-Ignacio Corsini (H 481 - 02/02/1912)
63717 B - Execution of Luro (Song) - Diego Munilla
(H 161 - 01/02/1912) 63722 A - The crack Larrea (Tango) - Orchestra Genaro (H 671 - 28/02/1912)
63722 B - Grand Dream (Style)-Ignacio Corsini (H 492 - 02/03/1912)
63726 A - The shack (Style) - Juan Pedro López (H 345-22 / 1 / 1912)
63726 B - Complaints jackets (Song) - Ignacio Corsini (H 501 - 03/02/1912)
63733 A - Love with money (Song) - Ignacio Corsini (H 491 - 02/03/1912)
63733 B - My Pibito (Tango) Orchestra Genaro (H 491 - 02/03/1912)
63738 A - Decline Creole (Vals ) - Ignacio Corsini (H 480 - 02/02/1912)
63738 B - Newcomer (Style) - Diego Munilla and Arturo de Nava (H 160 - 02/01/1912)
63869 A - The jacket - (Song ) - Diego Munilla (H 226 - 10/01/1912)
63869 A - The peasant (Style) Ignacio Corsini (H 622 - 02/20/1912)
63899 A - Outlines gauchos (Style) - Ignacio Corsini (H 627 - 02/20/1912)
63899 B - The herdsman in the campaign (Song) - Ignacio Corsini (H 494 - 3.2.1912) 65053 A
- Sad war (Waltz) - Juan Pedro López (H 348 - 22/01/1912)
65053 A - Conscription (Style) - Ignacio Corsini (H 625 - 20/02/1912)
65054 A - Triste ( Milonga) - Juan Pedro López (H 347 - 01/22/1912)
65054 A - Delirio (Style) - Ignacio Corsini (H 623 - 20/02/1912)
65164 A - Leaving Home (Song) - Juan Pedro Lopez (H 353 - 01/23/1912)
65164 B - My mother (Song) - Ignacio Corsini (H 624 - 20/02/1912)
65396 A - From the beautiful, the best (Style) - Ignacio Corsini (H 489 - 02/03/1912)
65396 B - The ranch of my beloved (Song) - Diego Munilla (H 197 - 01/08/1912)
65399 A - The payment criolla (Style) - Ignacio Corsini (H 493 - 03/02/1912)
65399 B - The minstrel (Habanera) - Read Conti - Francis P. Donadio (H 682 - 02/29/1912)
65490 A - On the tomb of the son (Style) - Ignacio Corsini (H 500 - 03/02/1912)
65490 B - Wandering Man (song) - Saul Salinas - A. of Giulli (H 496 - 02/03/1912)
65613 A - Triste (Fantasy) - Orchestra Rodriguez (B 14055 - 11/11/1913) (Recorded in Camden, New Jersey) 65613
A - Remember me ( Style) - Ignacio Corsini (H 502 - 02/03/1912)
65614 A - La nuit (Vals Boston) - Orchestra Rodriguez (B 14056 - 11.11.1913) (Fig. Camden, New Jersey) 65614
B - Casta dove (Habanera) - Ignacio Corsini (H 620 - 20/02/1912)
65616 A - In my ranch - Ignacio Corsini (H 955 - 02/03/1912)
65616 B - Sad - Orchestra Rodriguez (B 14085 - 11/17/1913) (Recorded in Camden - Ney Jersey) 65663
A - Wish - Ignacio Corsini (H 621 - 20/02/1912)
65663 B - Esmeralda - Rodriguez Orchestra (B 14089 - 17/11/1913) (Recorded in Camden - Ney Jersey) 65664
A - In my china - Ignacio Corsini (H 626 - 02/20/1912)
65664 B - Always - Orchestra Rodriguez ( B 14090 - 11/17/1913) (Recorded in Camden - Ney Jersey) 65964
A - Remember me (Style) - Ignacio Corsini (H 502 - 03.02.1912)
65964 B - The payment criolla (Style) - Ignacio Corsini (H 493 - 02/03/1912)
65965 A - Silent Night (Waltz) - Ignacio Corsini (H 481-2 / 2 / 1912)
65965 B - The peasant (Style) - Ignacio Corsini (H 622 - 20/02/1912)
69971 A - In my ranch (Song) - Ignacio Corsini (H 955 - 02/03/1912)
69971 B - Casta dove (Habanera) - Ignacio Corsini (H 620 - 02/20/1912)
69972 A - The native American (Style) - Arturo Navas (R 414 - 02/26/1910)
69972 B - My China (Style) - Ignacio Corsini (H 626 - 20/02/1912)
notice that the discs N ° 65399 and 65663, were not registered in the discography compiled by Dr. Ignacio Corsini (h). We suspect that it is possible that providing data collectors did not have those records, but we can not confirm. Furthermore only edited the first edition of this work, so could not be corrected so many mistakes, especially at the time of recording, discography compiled at the end of the book.
The final list of matrices by Caballero Cantor recorded for Victor Talking Machine Co. in 1912 is as follows:
H 480 - Decline Creole - 2/2/1912
H 481 - Silent Night - 2/2/1912
H 489 - From the cute best - 3/2/1912
H 490 - Violets - 3/2/1912
H 491 - Love with money - 3/2/1912
H 492 - Sounds great - 3/2/1912
H 493 - The payment criolla - 3/2/1912
H 494 - The herdsman in the campaign - 3/2/1912
H 500 - The tomb of the son - 3/2/1912
H 501 - Complaints jackets - 3/2/1912
H 502 - Remember me - 3/2/1912
H 955 - At my ranch - 3/2/1912 (Please note that the number of matrix is \u200b\u200bnot correlated with the serial of that meeting. There is no indication of why these numbers gave the records of Victor)
H 620 - Casta Dove - 20/2/1912
H 621 - Wishes - 20/2/1912
H 622 - The peasant - 20/2/1912
H 623 - Delirium - 20/2/1912
H 624 - My Mother - 20/2/1912
H 625 - Conscription - 20/2/1912
H 626 - My China - 20/2/1912
H 627 - Outlines gauchos - 20/2/1912
El Caballero Cantor has 20 years to make the first two sessions recording. End this series with a third and final meeting, 20/2/1912, contant with brand-new recently completed 21 years on 13 this month.
says Ignacio Corsini was not fond of these recordings, to the point that every time he lay his hands on some of these issues, invariably broke.
On one occasion, an old salesman of old records that had its location in the Villa Devoto, told us that many years ago, during the life of singer had found one of these copies, and knowing that you visit Ignacio Corsini considered as a tribute obsequious. This person recalled that, indeed, when the day of the visit made him the precious gift, imagining Corsini thrill to see one of their first albums.
However, he soon realized that the singer hesitated and asked again if he really had given the disk. The seller insisted it was a gift and could not possibly agree to pay it. Then, after Don Ignacio said the gift, without further ado broke it into pieces before the astonished eyes of the seller, when referring to the story still lamented that "... the disc was in perfect condition."
We refer on another occasion Dr. Eduardo Corsini, nephew of the singer, another of the disks that used to break each time he encountered a copy, is one that contains the tango "Smoking expect", edited by Max Glucksmann, in National Disc No. 18523.
By the way, it should be noted that Ignacio Corsini and recorded two shots on 5/12/1927 of the tango registered under the matrix numbers 1775 and 1775-I and both were released in different editions of the same specimen.
rescued from an old publication with lyrics by Andres Cepeda, the letter of the style "Conscription", that label original disk, which is reproduced above, is credited as author of Ignacio Corsini. In fact, the author of the above verses is minstrel, and reproduced as it has been published in the book of yore, respecting the punctuation and syntax errors in the original edition.
caution that contains slight differences with the text sung by Corsini, which probably were experienced by the singer to facilitate the diction of the poems in their interpretation. We also stress the recording, which can be heard in full on access in the sector posted to the left of this text, it is ignored completely in the second stanza of this verse, either because the extension exceeded the total work time recording disc could contain a 25 cm, or as being the strongest verses in protest content within the work. Virtually
undiscoverable, perhaps this is one of the rarest discs Ignacio Corsini, so much so that even it was efectivamentre to doubt that had been published. We put in full scoop and remastered audio of this recording taken from the original disc for all fans of the Knight Cantor.
finally warn that this series of albums was recorded at a rate lower than the standard of 78 revolutions per minute. At that time was not yet applied the uniform standard of 78 RPM which prevailed later. This was not an obstacle for proper reproduction, phonograph players as they had in those days with a pitch or manual control to vary the playback speed to suit the listener. It was therefore quite common to hear a record time, using this resource for audio playback at the same speed it was recorded.
Accordingly, these recordings have been made to a lower speed, 78 RPM playback speeds actually tempo and adjust the tone in which it was originally printed in wax work, thus distorting the sound of implementation of instruments such as the timbre of the voice of interpreter. The sample
posted to the left, not only was a work of audio mastering and restoration of the original plate, but has been restored as nearly as possible the playback speed, so as to coincide with the recording speed used to print the sound on wax.
The result is that voice emerges Ignacio Corsini, easily recognizable, both in its tone and in his coloratura, and can be seen clearly the interpretive rules Caballero singer at the time of Centennial.
The Conscription
Mother calls me
lapatria I leave, I'm from How sad
will live
Far from being you love! All my blood
inflames evil
Recalling that our society
With
the abyss throws us
Plucking one sheet The flower of freedom
Oh mother! sufristes
For you who give life to this being, you stopped eating
That
And Did you have bitter moments;
you that you did me so much loving attention
With Mother, tell this bossy
That if we want to send to his
That you no you did yours for cannon fodder
Tell him that he fought
their homeland Giving arms,
Today has shattered
And his luck changed;
which won only after so much suffering
have to ask is the inordinate desire
With
A hard piece of bread
with which to live Tell
the people who refuse conscription law
That ruining the nation
Tell Our homes undo everything that makes
That law is so poorly rendered
convert to nothing
A strong youth
Take it out and teach virtue to be evil
recall that compulsory military service, was established by Act 4301, in 1901, during the second presidency of Julio Argentino Roca, at the request of the Minister of War, Paul Ricchieri.
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