Ignacio Corsini recordings published in the ext
igh As in the case of recordings of Carlos Gardel and Augustin Magaldi, a lot of recordings of Ignacio Corsini were published abroad. The case of Carlos Gardel is very special, as well as recording in Buenos Aires, it was in Barcelona, \u200b\u200bParis and New York. Ignacio Corsini Agustin Magaldi, only recorded in the city of Buenos Aires.
Ignacio foreign editions Corsini, unlike Carlos Gardel, contain only footage recorded in Buenos Aires.
However, in many cases is different from the published versions of his time in Argentina, and in any case, even in subjects who had no market penetration in the country.
add
Finally we note that the version that illustrates this comment was not published in its original matrix, as we are unaware of the
characters printed on the cover of the album, with proof of this statement that when the rematrizaron disk (almost certainly in the U.S.), cut the sound signal before the final chord of the guitars. Thus, Ignacio Corsini end interpretation and, where it is expected the usual resolution of the guitars, which no doubt was recorded in the original array Argentina- hear only silence. However, we note that the technicians did a remarkable job of rematrización, since the work is heard with excellent sound and clarity. Although the work was recorded in 1930, editing the disc would be about 1939, information that we infer from the number of the matrix of the other side (9791), which has also been rematrizada.
The sample posted on the left, we illustrate these brief reflections with fragments of the foreign editions mentioned, restored and remastered.
Fuentes - "On the first electrical recordings made by Ignacio Corsini" - Fabio Cernuda - www.ignaciocorsinigrabaciones.blogspot.com
- "Study of the discography of Ignacio Corsini" - S. Nicholas Lefcovich - Author's Edition. 1996
have been reported original record releases Ignacio Corsini
in Brazil, Chile and the United States. Fabio
in Brazil, Chile and the United States. Fabio
Cernuda is developing a valuable and unique research and analysis on the discography of Ignacio Corsini, analyzed shot by shot, and day by day record, according to reports recorded in the record books Glücksmann Max. We recommend that you do not miss his blog, and find that the excellent information. (ENTER HERE ) 
Ignacio foreign editions Corsini, unlike Carlos Gardel, contain only footage recorded in Buenos Aires.
However, in many cases is different from the published versions of his time in Argentina, and in any case, even in subjects who had no market penetration in the country.
illustrate this brief commentary with tags of two albums released in Brazil that we consider interesting.
The first of them is the hard Odeon No. 1244. In your face A, containing the tango "Silent Night", recorded on Friday, July 8, 1927, matrix number 1000. Fabio Cernuda points in his interesting analysis that that statement was never published in Buenos Aires. In fact, we only know the matrices: a) 1000-1, recorded on the same date as above, b) 2355 (04/04/1928) and c) a new array 1000-1 (6/24/1930 ) 
mistakenly design ada with such numbers, since it corresponds to the published in 1927. Refer to the work of Fabio Cernuda which explains in detail the present situation.
mistakenly design ada with such numbers, since it corresponds to the published in 1927. Refer to the work of Fabio Cernuda which explains in detail the present situation. In the second side, containing the Tango "grumbling", matrix 414, recorded on Tuesday, February 22, 1927, and that is the same circle in Argentina disk No. 18488.
The second album released in Brazil we present Odeon disc is No. 1355. It contains in its side A, one takes very little spread of the song "Footprint Footprint ..." sung in duet by Ignacio Corsini and his son, Dr. Ignacio Corsini h. This is the 2029 matrix II, which was recorded on Saturday, February 25, 2008. We recall that making more widely is that corresponding to the array 2029, it was recorded on Thursday, February 9, 1928 and original circular disk No. 18534 B, 1928 and the replacement disk Criollo N º 18671 A, 1934.
Remarkably, the matrix 2029 I recorded the same February 25, 1928, corresponds to a version of "Footprint Footprint ..."
sung only by Ignacio Corsini. So far there has been no issue with that decision.
The second album released in Brazil we present Odeon disc is No. 1355. It contains in its side A, one takes very little spread of the song "Footprint Footprint ..." sung in duet by Ignacio Corsini and his son, Dr. Ignacio Corsini h. This is the 2029 matrix II, which was recorded on Saturday, February 25, 2008. We recall that making more widely is that corresponding to the array 2029, it was recorded on Thursday, February 9, 1928 and original circular disk No. 18534 B, 1928 and the replacement disk Criollo N º 18671 A, 1934.
Remarkably, the matrix 2029 I recorded the same February 25, 1928, corresponds to a version of "Footprint Footprint ..."
sung only by Ignacio Corsini. So far there has been no issue with that decision. On the flip side, we find the beautiful tango "Bandoneon" which was recorded on February 9, 1928, matrix number 2030, which circulated in Argentina as A-side disc 18534.
regard to 18534 disk, we must also warn Interestingly, the same circle in two different editions with different couplings on his face A. Indeed, in a first edition almost undiscoverable, since it was withdrawn from circulation, containing the Tango "Bandoneon" and the song "Footprint Footprint ..." (Matrix 2029) and a later one containing the style "Nightfall" (Matrix 1789, recorded on Saturday November 19, 1927), with the coupling of "Footprint Footprint ..." (matrix 2029). Illustrated with the labels in this latest edition of the disc above and N ª 18671.
All these versions have the support of Aguilar and weight, with the exception of taking the "silent night" in 1928 and 1930 that were recorded with the guitarists Pagés, Weigle and Maciel.
Regarding the last topic of interest at issue in this brief commentary, we refer to the album released in the U.S. by Decca under number 21053 of his "Hispanic Series." This is the tango criollo Tale "and corresponds to the array 5544, having been recorded on Tuesday, May 13, 1930, Pages, Weigle and Maciel on guitars. That decision was never published in Argentina. We have heard references would also have been published in Chile.
not know why it was decided not to publish this work and yet it was sent overseas to its dissemination. One possible hypothesis is that the authors have not given consent for publication. This presumption could be seen by the fact that the tango was edited by the company Victor and that the complainants were given the exclusivity to that record label. A fact that could bolster this assumption is the existence of a version of such works Alberto Vila held in the said seal. It would be a case similar to the case with issues of Carlos Gardel's tangos "Sons" and "My Mocosita" that because it 
exclusive titles Victor catalog could not be published in Argentina, without prejudice to which published two separate copies of the first in Brazil (matrix 3171) and Spain (matrix 3171-1) and in the case of "My Mocosita" was the only edition of the original matrix is \u200b\u200bknown. However, we recognize that not more conjecture. Another possibility to consider is that you dismiss Corsini himself for not being consistent with their interpretation. However, if that were so good I could have recorded again, as it did at the same time with other interpretations such as "Yira ... Yira", "The woman died in Paris," "Violet", etc. However, the registered version is masterfully played, which makes us the first tip of the hypotheses. However, we must admit that this is in the realm of mere conjecture and speculation, and we do not have strong elements that allow us to reach a categorical conclusion about it.
exclusive titles Victor catalog could not be published in Argentina, without prejudice to which published two separate copies of the first in Brazil (matrix 3171) and Spain (matrix 3171-1) and in the case of "My Mocosita" was the only edition of the original matrix is \u200b\u200bknown. However, we recognize that not more conjecture. Another possibility to consider is that you dismiss Corsini himself for not being consistent with their interpretation. However, if that were so good I could have recorded again, as it did at the same time with other interpretations such as "Yira ... Yira", "The woman died in Paris," "Violet", etc. However, the registered version is masterfully played, which makes us the first tip of the hypotheses. However, we must admit that this is in the realm of mere conjecture and speculation, and we do not have strong elements that allow us to reach a categorical conclusion about it. A curious fact that the side A of the disc contains Enrique Rodriguez Orchestra, performing "The charcoal-burner."
Finally we note that the version that illustrates this comment was not published in its original matrix, as we are unaware of the
characters printed on the cover of the album, with proof of this statement that when the rematrizaron disk (almost certainly in the U.S.), cut the sound signal before the final chord of the guitars. Thus, Ignacio Corsini end interpretation and, where it is expected the usual resolution of the guitars, which no doubt was recorded in the original array Argentina- hear only silence. However, we note that the technicians did a remarkable job of rematrización, since the work is heard with excellent sound and clarity. Although the work was recorded in 1930, editing the disc would be about 1939, information that we infer from the number of the matrix of the other side (9791), which has also been rematrizada. The sample posted on the left, we illustrate these brief reflections with fragments of the foreign editions mentioned, restored and remastered.
-
Fuentes - "On the first electrical recordings made by Ignacio Corsini" - Fabio Cernuda - www.ignaciocorsinigrabaciones.blogspot.com
- "Study of the discography of Ignacio Corsini" - S. Nicholas Lefcovich - Author's Edition. 1996
- "Ignacio Corsini, my father" - Dr. Ignacio Corsini h. - Editorial Todo es Historia - 1979
0 comments:
Post a Comment