Top Speed Of Stock 400 Ex

Ignacio Corsini recorded for the Victor Talking Machine Co. presents

Ignacio Corsini, recorded in February 1912, a series of matrices for the Victor Talking Machine Company

Co. The company, headquartered in Camden, New Jersey (USA), had sent to Buenos Aires for the third time to technicians who, by traveling recording equipment, they proceeded to perform among others, the first recordings of singer Knight.

This was the first time that Ignacio Corsini was faced with recording horn which were recorded at the time the mechanical recordings, also called "acoustic recordings."

discs were pressed and distributed probably between 1913 and 1914. Many of them are links from other performers and the orchestra led by Genaro Esposito, the itinerant singer Diego Munilla, the singer Juan Pedro Lopez, the duo Saul A. Salinas In Gilli, the Orchestra Arturo Rodriguez and Navas.
are a total of 23 disks, which contain 20 records than Ignacio Corsini. In some cases the same theme was repeated with different couplings.

This series of recordings was made in the city of Buenos Aires, in three sessions that took place the day:

- February 2, 1912, with two recordings (matrices H 480 to H 481). That same day also recorded Julio J. Otermin (matrices H 476 to H 479) and the duo of Saul Salinas and Augusto De Giuli (Matrix H 482 to H 488)

- February 3, 1912, with ten recordings (matrices H 489 and H 494, H matrices H 500 to 502). That same day, the duo also recorded Saul Salinas and Augusto De Giuli (Matrix H 495 to H 496) and Saul Salinas only (matrices H 497 to H 499)

- February 20, 1912, with 8 recordings (matrices H 620 and H 627). Ignacio Corsini was the only artist who made records that day.

The discography of Victor Caballero Cantor had been collected, but with errors in the discography included in the work of Dr. Ignacio Corsini (h).

data sessions, dates and numbers of matrices that provide below have been extracted from the "Encyclopedic Discography of Victor Recordings, so we interpret that this is the definitive discography Victor Ignacio Corsini:

63712 A - I come (Tango) - Orchestra Gender (M 679 - 28/02/1912)
63712 B - Violets (Waltz) - Ignacio Corsini (H 490 - 03/02/1912)

63717 A - Silent Night (Waltz)-Ignacio Corsini (H 481 - 02/02/1912)
63717 B - Execution of Luro (Song) - Diego Munilla (H 161 - 01/02/1912)

63722 A - The crack Larrea (Tango) - Orchestra Genaro (H 671 - 28/02/1912)
63722 B - Grand Dream (Style)-Ignacio Corsini (H 492 - 02/03/1912)

63726 A - The shack (Style) - Juan Pedro López (H 345-22 / 1 / 1912)
63726 B - Complaints jackets (Song) - Ignacio Corsini (H 501 - 03/02/1912)

63733 A - Love with money (Song) - Ignacio Corsini (H 491 - 02/03/1912)
63733 B - My Pibito (Tango) Orchestra Genaro (H 491 - 02/03/1912)

63738 A - Decline Creole (Vals ) - Ignacio Corsini (H 480 - 02/02/1912)
63738 B - Newcomer (Style) - Diego Munilla and Arturo de Nava (H 160 - 02/01/1912)

63869 A - The jacket - (Song ) - Diego Munilla (H 226 - 10/01/1912)
63869 A - The peasant (Style) Ignacio Corsini (H 622 - 02/20/1912)

63899 A - Outlines gauchos (Style) - Ignacio Corsini (H 627 - 02/20/1912)
63899 B - The herdsman in the campaign (Song) - Ignacio Corsini (H 494 - 3.2.1912) 65053 A

- Sad war (Waltz) - Juan Pedro López (H 348 - 22/01/1912)
65053 A - Conscription (Style) - Ignacio Corsini (H 625 - 20/02/1912)

65054 A - Triste ( Milonga) - Juan Pedro López (H 347 - 01/22/1912)
65054 A - Delirio (Style) - Ignacio Corsini (H 623 - 20/02/1912)

65164 A - Leaving Home (Song) - Juan Pedro Lopez (H 353 - 01/23/1912)
65164 B - My mother (Song) - Ignacio Corsini (H 624 - 20/02/1912)

65396 A - From the beautiful, the best (Style) - Ignacio Corsini (H 489 - 02/03/1912)
65396 B - The ranch of my beloved (Song) - Diego Munilla (H 197 - 01/08/1912)

65399 A - The payment criolla (Style) - Ignacio Corsini (H 493 - 03/02/1912)
65399 B - The minstrel (Habanera) - Read Conti - Francis P. Donadio (H 682 - 02/29/1912)

65490 A - On the tomb of the son (Style) - Ignacio Corsini (H 500 - 03/02/1912)
65490 B - Wandering Man (song) - Saul Salinas - A. of Giulli (H 496 - 02/03/1912)

65613 A - Triste (Fantasy) - Orchestra Rodriguez (B 14055 - 11/11/1913) (Recorded in Camden, New Jersey) 65613
A - Remember me ( Style) - Ignacio Corsini (H 502 - 02/03/1912)

65614 A - La nuit (Vals Boston) - Orchestra Rodriguez (B 14056 - 11.11.1913) (Fig. Camden, New Jersey) 65614
B - Casta dove (Habanera) - Ignacio Corsini (H 620 - 20/02/1912)

65616 A - In my ranch - Ignacio Corsini (H 955 - 02/03/1912)
65616 B - Sad - Orchestra Rodriguez (B 14085 - 11/17/1913) (Recorded in Camden - Ney Jersey) 65663

A - Wish - Ignacio Corsini (H 621 - 20/02/1912)
65663 B - Esmeralda - Rodriguez Orchestra (B 14089 - 17/11/1913) (Recorded in Camden - Ney Jersey) 65664

A - In my china - Ignacio Corsini (H 626 - 02/20/1912)
65664 B - Always - Orchestra Rodriguez ( B 14090 - 11/17/1913) (Recorded in Camden - Ney Jersey) 65964

A - Remember me (Style) - Ignacio Corsini (H 502 - 03.02.1912)
65964 B - The payment criolla (Style) - Ignacio Corsini (H 493 - 02/03/1912)

65965 A - Silent Night (Waltz) - Ignacio Corsini (H 481-2 / 2 / 1912)
65965 B - The peasant (Style) - Ignacio Corsini (H 622 - 20/02/1912)

69971 A - In my ranch (Song) - Ignacio Corsini (H 955 - 02/03/1912)
69971 B - Casta dove (Habanera) - Ignacio Corsini (H 620 - 02/20/1912)

69972 A - The native American (Style) - Arturo Navas (R 414 - 02/26/1910)
69972 B - My China (Style) - Ignacio Corsini (H 626 - 20/02/1912)

notice that the discs N ° 65399 and 65663, were not registered in the discography compiled by Dr. Ignacio Corsini (h). We suspect that it is possible that providing data collectors did not have those records, but we can not confirm. Furthermore only edited the first edition of this work, so could not be corrected so many mistakes, especially at the time of recording, discography compiled at the end of the book.

The final list of matrices by Caballero Cantor recorded for Victor Talking Machine Co. in 1912 is as follows:

H 480 - Decline Creole - 2/2/1912
H 481 - Silent Night - 2/2/1912

H 489 - From the cute best - 3/2/1912
H 490 - Violets - 3/2/1912
H 491 - Love with money - 3/2/1912
H 492 - Sounds great - 3/2/1912
H 493 - The payment criolla - 3/2/1912
H 494 - The herdsman in the campaign - 3/2/1912
H 500 - The tomb of the son - 3/2/1912
H 501 - Complaints jackets - 3/2/1912
H 502 - Remember me - 3/2/1912
H 955 - At my ranch - 3/2/1912 (Please note that the number of matrix is \u200b\u200bnot correlated with the serial of that meeting. There is no indication of why these numbers gave the records of Victor)

H 620 - Casta Dove - 20/2/1912
H 621 - Wishes - 20/2/1912
H 622 - The peasant - 20/2/1912
H 623 - Delirium - 20/2/1912
H 624 - My Mother - 20/2/1912
H 625 - Conscription - 20/2/1912
H 626 - My China - 20/2/1912
H 627 - Outlines gauchos - 20/2/1912


El Caballero Cantor has 20 years to make the first two sessions recording. End this series with a third and final meeting, 20/2/1912, contant with brand-new recently completed 21 years on 13 this month.
says Ignacio Corsini was not fond of these recordings, to the point that every time he lay his hands on some of these issues, invariably broke.
On one occasion, an old salesman of old records that had its location in the Villa Devoto, told us that many years ago, during the life of singer had found one of these copies, and knowing that you visit Ignacio Corsini considered as a tribute obsequious. This person recalled that, indeed, when the day of the visit made him the precious gift, imagining Corsini thrill to see one of their first albums.
However, he soon realized that the singer hesitated and asked again if he really had given the disk. The seller insisted it was a gift and could not possibly agree to pay it. Then, after Don Ignacio said the gift, without further ado broke it into pieces before the astonished eyes of the seller, when referring to the story still lamented that "... the disc was in perfect condition."
We refer on another occasion Dr. Eduardo Corsini, nephew of the singer, another of the disks that used to break each time he encountered a copy, is one that contains the tango "Smoking expect", edited by Max Glucksmann, in National Disc No. 18523.
By the way, it should be noted that Ignacio Corsini and recorded two shots on 5/12/1927 of the tango registered under the matrix numbers 1775 and 1775-I and both were released in different editions of the same specimen.

rescued from an old publication with lyrics by Andres Cepeda, the letter of the style "Conscription", that label original disk, which is reproduced above, is credited as author of Ignacio Corsini. In fact, the author of the above verses is minstrel, and reproduced as it has been published in the book of yore, respecting the punctuation and syntax errors in the original edition.

caution that contains slight differences with the text sung by Corsini, which probably were experienced by the singer to facilitate the diction of the poems in their interpretation. We also stress the recording, which can be heard in full on access in the sector posted to the left of this text, it is ignored completely in the second stanza of this verse, either because the extension exceeded the total work time recording disc could contain a 25 cm, or as being the strongest verses in protest content within the work. Virtually

undiscoverable, perhaps this is one of the rarest discs Ignacio Corsini, so much so that even it was efectivamentre to doubt that had been published. We put in full scoop and remastered audio of this recording taken from the original disc for all fans of the Knight Cantor.

finally warn that this series of albums was recorded at a rate lower than the standard of 78 revolutions per minute. At that time was not yet applied the uniform standard of 78 RPM which prevailed later. This was not an obstacle for proper reproduction, phonograph players as they had in those days with a pitch or manual control to vary the playback speed to suit the listener. It was therefore quite common to hear a record time, using this resource for audio playback at the same speed it was recorded.

Accordingly, these recordings have been made to a lower speed, 78 RPM playback speeds actually tempo and adjust the tone in which it was originally printed in wax work, thus distorting the sound of implementation of instruments such as the timbre of the voice of interpreter. The sample

posted to the left, not only was a work of audio mastering and restoration of the original plate, but has been restored as nearly as possible the playback speed, so as to coincide with the recording speed used to print the sound on wax.

The result is that voice emerges Ignacio Corsini, easily recognizable, both in its tone and in his coloratura, and can be seen clearly the interpretive rules Caballero singer at the time of Centennial.

The Conscription

Mother calls me
lapatria I leave, I'm from How sad
will live
Far from being you love! All my blood
inflames evil
Recalling that our society
With
the abyss throws us Plucking one sheet

The flower of freedom

Oh mother! sufristes
For you who give life to this being, you stopped eating
That
And Did you have bitter moments;
you that you did me so much loving attention

With Mother, tell this bossy
That if we want to send to his
That you no you did yours for cannon fodder


Tell him that he fought
their homeland Giving arms,
Today has shattered
And his luck changed;
which won only after so much suffering

have to ask is the inordinate desire
With
A hard piece of bread
with which to live Tell

the people who refuse conscription law
That ruining the nation


Tell Our homes undo everything that makes
That law is so poorly rendered
convert to nothing
A strong youth

Take it out and teach virtue to be evil

recall that compulsory military service, was established by Act 4301, in 1901, during the second presidency of Julio Argentino Roca, at the request of the Minister of War, Paul Ricchieri.

Virtual Secretary Chatbot

Ignacio Corsini at Luna Park in honor of Carlos Gardel

Interprets "Toast of Blood" and "My Guitar", accompanied by his guitar Pagés, Weigle and Maciel
We respect Dr. Ignacio Corsini son in his
"Ignacio Corsini my father, "the news of the death of Carlos Gardel
had surprised the Knight Cantor at a time to start a radio performances, which immediately suspended and several presentations given their emotional state.
A year later, in a festival held at Luna Park, in order to raise funds for repatriation the remains of the companions of Gardel from Colombia, Roberto Airaldi, who ran the show said: "... and now another great singer that remains, Ignacio Corsini ..."
Dr. Ignacio Corsini has a huge ovation accompanied the emergence of Corsini and three guitarists, the impeccable Pagés, Weigle and Maciel. Ignacio played that night "Toast of Blood" and "My Guitar", the latter in homage to the great singer. Unfortunately I log in wax both interpretations, quedéndo reference only those who were privileged to attend the event.
The photo, which was published in the media of the time, records the master when the knight Cantor plays one of the two compositions mentioned. The photo caption stated: "One of the singers closer to this the great missing: Ignacio Corsini with excellent guitar, the microphone of the ANDEBA (National Association of Broadcasters Argentinas" .

The 1935, was a year of few recordings Corsini. Indeed Max Glücksmann studies located in the upper Cine Teatro Grand Splendid, more precisely in Santa Fe near the corner of Avenida Callao, which were recorded on wax the following interpretations:

8307 - Mystery - Tango (Francisco García Giménez-Agustin Bardi) - 4/9/1 935 - 18676 A Disco
8308 - Tuyita - Song (J. Luque Lobos-Argentino Valle) - 4/9/1935 - Take
unpublished 8308-1 - Tuyita - Song (J. Luque-Lobos Argentino Valley) - 4/9/1935 - Disco
18676 B 8309 - Sorry if I never - Tango (C.Pesce-Cesar Ginzo) - 9/9/1935 - Disco 18677 A
8310 - When the Indian loves - Song ( Yaraví-Pereyra-Gutierrez) - 9/9/1935 - Disco
18677 B 8311 - Forever - Tango (LC Amadori-R.Sciammarella) - Take
unpublished
For the realization of these recordings, it is highly likely to be counted accompanied by four guitars: Pages, Weigle, Maciel and Montenegro, who sumo the original trio, and can be seen in period photographs, but not the one reproduced above. We refer

Dr. Eduardo Corsini, grandson of Caballero Cantor, during 1936, Ignacio had to suspend for a long time his artistic activity in order to recover from surgery on the thyroid gland.

Source: "Ignacio Corsini, My Father" - Dr. Ignacio Corsini (h) and personal references made by Dr. Eduardo Corsini and Enrique Maciel (h).

Gp1200 Compression Pressure

His guitar

Ignacio Corsini (h) recalls the famous trio of guitars: Pagés, Weigle and Maciel
"My father kept with his trusty trio of guitarists, Pagés, Weigle and Maciel, a close affection and companionship. In the tour traveled together and ate at the same table. He was the only singer that the annual contract had worked or not.

"They honored me with a brother-like relationship. Especially Maciel, particularly weight, I wanted very much. I accompanied them on tours of the provinces and the performances in theaters, neighborhood theaters.

Enrique Maciel
"Enrique Maciel was very neat, dark-haired, hair, blackened in spots, worn backwards, his eyes were huge. Invariably wore silk shirts with large twin and generously scented. Elegant Lucia with smoking. The piano was the one in our house, passing scores for guitars and of course, accompanied on this instrument, the voice of my father in those trials. It was a great pianist, nor outstanding guitarist, but a great person, human and extraordinary composer. He died in the summer of 62. Away from home it was like an eternal customer in the store Peirano, corner of La Rioja and Independence, near his home. "

One interesting point is that Enrique Maciel add does not appear in" Idols of the Radio "when Ignacio Corsini plays samba" By the way, "because he was working at the time in music composition from the film "Under the Holy Federation," also 1934.

He told us once one of the sons of Enrique Maciel, his grandfather (the father of the guitarist) had emigrated to Argentina from the United States, and that his real name was Marshall. Upon arrival in Buenos Aires, Maciel Castilianize changing it, being the most similar in pronunciation.

The guitar trio Enrique Maciel was responsible for providing the rhythm for the guitars are lucieran Pages and Weigle. She was also performer of piano and harmonium. There are recordings released by Victor, which accompanies harmonium Rosita Quiroga. It can also be heard playing harmonium Ignacio Corsini accompanying the introduction of the waltz "Martyrs of the soul" and the tango "The Wedding March."

is splitting with Ignacio Corsini in 1943, but remained Caballero person close to the singer, who continued to perform his compositions until the day of his retirement on Radio Belgrano.

I continue his artistic career leading his own orchestra, well into the 50's.

Enrique Maciel, was born in Buenos Aires on July 13, 1897, and died in the same city on January 24, 1962. Rosendo

Pesoa
"Rosendo Pessoa, short, plump, full lips, always smiling, was the image of a good man.

"extraordinary guitarist, formed a successful trio, the" Odeon "next to Pages and Rafael Iriarte, who recorded many popular repertoire of classical compositions.

" incurable illness ended his life jéven in 1951. I still remember when we visited with my father one last time, in a cottage next to the first section of Route 2. "

add that Rosendo Weigle, was born in Buenos Aires on August 30, 1896 and died April 26, 1951.

Pagés
Armando Armando Pagés, the highest and handsome of the three, is the only survivor (*). Man of La Plata, a city where he lived most of his life. Still lives there.

"Great guitarist, introduced him to my father Jose M. Aguilar, in 1927. Just recently we saw a television audition in memory of my father. It was he who told me a story I know: while traveling Gardel Europe, José Razzano Pagés interviewed, to provide a place in the accompaniment of Carlos. was for a month to try to Gardel's house in the Rue Jean Jaures, where the mother always took care of Carlos. thought to debut in Alberdi film, when Pages was decided to let you know about the incident to my father.

- Gardel pays me very well.

- How? - Asked my father.

- Tanto - Pagés said.

- Well, I pay the same and you stay here.

"Pagés he communicated to Charles, and this he replied:

- Okay. When all is said and done, the methane is a great friend and me or you I can do that.

" I did Pagés recall the intense and prolonged trials Otamendi our house, in the room facing the street in winter and in the courtyard during the summer.

"They formed the four, singing and accompanying musical group and a real human example of friendship, perfection and understanding, as he felt the people could not name without adding Corsini, Pages Weigle and Maciel. Met together a history of nearly 20 years of work, setting an example and a step of the track in Argentina.

add that Armando was born in Ranchos Pages on June 11, 1903, and died in La Plata in 1992.

Guitarists
Other guitarists who accompanied Ignacio Corsini, were Montenegro, who observed it with Pagés, Weigle and Maciel in photographs from 1935 - and Ubaldo Lio, currently live last Caballero guitarist singer.

A relevant point to discuss: about 1950 Edmundo Rivero began his career as a soloist with the accompaniment of Armando Pagés, Rosendo Weigle, Adolfo Carné, Achaval and Milton.

Other interesting details about the activities of the Corsini guitarists over the years can be extracted from the record editions. Indeed there are records of performances of duo guitar solo Aguilar-Pagés (Victor), weight-Iriarte (Victor), and the Odeon Trio, formed by Iriarte, Weigle and Pages (Disco Nacional Odeon). These recordings circulated after the second half of the 20's.

Moreover, the Duo Ruiz-Gallo, said in many of the recordings reported to 1947/1948, with accompanying Pagés, Weigle, Irala and Harp Felix Perez Cardozo.

For guitarists who accompanied Ignacio Corsini in soundstage, are in first place with Jose Maria Aguilar, who backed him in the first recordings he made for Max Glücksmann (1920). Advanced

the 20's, will be accompanied by Iriarte and Correa, and the last stage of their sound recordings, will be accompanied in turn by Rosendo Pessoa and José María Aguilar, who had rejoined the band set. While the aforementioned guitar duo is not expressly mentioned in the labels of these recent discs, is clearly seen in this last series of acoustic recordings the characteristic sound of two guitarists, and their unique way of phrasing and distinctive strumming. Sources


- "Ignacio Corsini, My Father" - Ignacio Corsini (h) - Tango III, Suite Everything is history. First Edition, April 1979, página34.
- Notebooks diffusion of tango "N ° 20 - (Biography of Enrique Maciel) - Raul Lafuente - (full article in All tango )

(*) Ignacio Corsini (h) wrote these lines in 1979. Armando Pagés died in La Plata in 1992.

Memo Samples About Cha

Ignacio Corsini. He died in this city. La Prensa - 27/07/1967

The July 26, 1967 Ignacio Corsini died in the city of Buenos Aires

already known to the early days of tango-music-only followed by a second, in which the singer , point, started to become significant. It was obvious that the first songs were not sung, for general distribution, for literature, precisely. It took another tone, other arguments, other personages. That, allied to the radio and records, the singer's voice took over the care, taste, popular admiration. Two of those voices identified by the "morocho the slaughter" and the "gallant singer, became the favorite of most. Would hardly need to name them, if the second, what the status of myth EpoR np seemed to belong to the world of the living, - Ignacio Corsini, "had not died on his fitness, yesterday in this city of his greatest hits. Now, suddenly brought the news, will join with that of Carlos Gardel, and Agustin Magaldi, one of the most beloved names in the memory of tango that fans of the known gold 2época.
Buenos Aires crossed
its first quarter century. "Undeletable profiles, yet warm affections, generous of spirit figures survivor," remembers Garcia Jimenez, was the center of the city song par excellence. The Folklore of the asphalt "was already on their history, their idols and their faithful. In the figure of the blond, handsome, singer and actor, had found one of its ideals. If the presence, if the sympathy-but the stories that are woven around a personality-have for the creation of an idol, none of these qualities, Ignacio Corsini missed, long remembered for his enthusiastic listeners and friendship, who knew how to bestow and receive.

Like many others of that time which would become famous as a singer, began as an actor with the equally famous brothers Podesta. It was at the Apollo Theatre in 1912. Would be remembered for a long time singing styles that the graceful actor, with tender and sentimental song, in works such as Martin Coronado, which included songs quickly disseminated.

heartthrob was imposed so-singer in the "National Theatre in sections." His success went to the scene to the room, the room heating in an increasing progress and firmer.

With Corsini, were born, among many others for the admiration and popular songs, "Patotero sentimental" and "The little store in Santa Lucia," which definitely enriched voice interpretations that could only convebirse as theirs. For the first tango paradoxically, Manuel Romero, the author, had imagined a totally non-existent. The report recalled that the "bully" is not "sentimental", but on the contrary, barbaric and cowardly. But the lyricist

imagined another character, the antithesis of reality, which finally imposed by the interpretation of Corsini, who first performed in the play "The cabaret dancer" written by actor César Ratti, who Apollo headed the company, where it premiered. The scene in the cabaret had such resonance that the figure of the famous actor, and author, spent the background, and the public preferred to recall only the scene of the song ever since.

same is true of "The little store in Santa Lucia", a song that opens an era of success for the authors of letters on topics of the Rosas era. In the singer's voice, verses of Héctor Pedro Blomberg, delves into the nostalgia of the lost woman and become identified simply with the nostalgia, of these transpositions artistic, intuitive, and born as a gift, was made the voice of Ignacio Corsini.

Corsini died yesterday at his home address, Otamendi 676, at 17. He had been admitted to the hospital of the Italian Hospital, where his improvement, a few weeks ago, allowed to move home. He was 76 years old.

At the time of his death were present for their son, grandchildren and other relatives.

The wake takes place at the address above, and the burial of the remains will be today at 15:30, in the pantheon of SADAIC, the Chacarita cemetery.

Source: Diario La Prensa - Thursday, July 27, 1967 - Page 10 - Buenos Aires
blog
Note: Ignacio Corsini remained in the Pantheon of SADAIC, located in the Chacarita cemetery, until about mid-decade 90, which was transferred by his family. Currently lies in the Garden Cemetery Peace. (Section 8, Block 22, lot 16)