Through autobiographical notes and various interviews given by the Caballero Cantor, is can appreciate the fine artistic sensibility of our great native interpreter
bohemia not be confused with bad check ...
bohemia not be confused with bad check ...
(Interview published in 1963)
"An old friend of mine once said to not be confused with bohemia check. And it's true. I am, I am a bohemian, but that does not prevent me from having a good suit, to be surrounded by beautiful things and drink good coffee. .. drinking ... "
"Those who remember me, they will do with the image of a blond, always dressed in black, almost sad, overly sensitive, often had to hold back the tears in the middle of a song"
"An old friend of mine once said to not be confused with bohemia check. And it's true. I am, I am a bohemian, but that does not prevent me from having a good suit, to be surrounded by beautiful things and drink good coffee. .. drinking ... "
"Those who remember me, they will do with the image of a blond, always dressed in black, almost sad, overly sensitive, often had to hold back the tears in the middle of a song"
you think about our folklore ... 
"As the national folklore expression of a feeling native, the importance I attribute all that is worthy of highlighting, as that comes through the form, the traditions and the spirit of our people. Our country was forged in war camps are vidalas, sambas, cats and chacareras to tone our soldiers, and the heads of victorious troops drivers, did the sound of the most beautiful songs of our rich folklore. While the taste of our immortal tango symbolizes the feeling of our city federalized, the richness of our inland songs reflect the rough life of Argentina's vast countryside and mountain regions and their prolific live well, samba, between the valleys at the foot of the mountains, the cat, chacarera and the inevitable pericón in the vast plains and the glow of fires gaucchos is woven between dulcesvibraciones classic style guitars and between a drink and a bitter. The folklore is home and feeling a faithful representation of a people, so I put in every song the loving desire to magnify and dignify it with a distinctly Creole lyrics and know that great and generous land "
"As the national folklore expression of a feeling native, the importance I attribute all that is worthy of highlighting, as that comes through the form, the traditions and the spirit of our people. Our country was forged in war camps are vidalas, sambas, cats and chacareras to tone our soldiers, and the heads of victorious troops drivers, did the sound of the most beautiful songs of our rich folklore. While the taste of our immortal tango symbolizes the feeling of our city federalized, the richness of our inland songs reflect the rough life of Argentina's vast countryside and mountain regions and their prolific live well, samba, between the valleys at the foot of the mountains, the cat, chacarera and the inevitable pericón in the vast plains and the glow of fires gaucchos is woven between dulcesvibraciones classic style guitars and between a drink and a bitter. The folklore is home and feeling a faithful representation of a people, so I put in every song the loving desire to magnify and dignify it with a distinctly Creole lyrics and know that great and generous land "
Children in a stay of Carlos Tejedor (Buenos Aires)
"There, among the country people, I learned to sing, my spirit tempered nature sentimental and romantic, which would then act out in my Songs "
"There, among the country people, I learned to sing, my spirit tempered nature sentimental and romantic, which would then act out in my Songs "
theatrical activity
" Then I worked in various theatrical companies: that of Jose Arriagada, of Hernando, Higinio Dogfish and circuses Cassell, Casano and Colombo. In the latter, acting in the neighborhood of slaughterhouses, one night after finishing the first part, rose a man who was in a box and shouted that a suspension of work and Corsini sing! The public was adopted with applause. And then I had to sing about two hours ... Fashion was the song "The Shepherdess" I had to sing it five times. The gentleman who had shouted was Don Alejandro Mohor, administrator the slaughter of time ... "
" Then I worked in various theatrical companies: that of Jose Arriagada, of Hernando, Higinio Dogfish and circuses Cassell, Casano and Colombo. In the latter, acting in the neighborhood of slaughterhouses, one night after finishing the first part, rose a man who was in a box and shouted that a suspension of work and Corsini sing! The public was adopted with applause. And then I had to sing about two hours ... Fashion was the song "The Shepherdess" I had to sing it five times. The gentleman who had shouted was Don Alejandro Mohor, administrator the slaughter of time ... "
friendship with Carlos Gardel 
" For more than twenty years, I joined Carlos Gardel the closest friendship. I wish to record the admiration that I always felt towards those who believe the greatest interpreter of popular song Argentina "
On one occasion asked him why he was not singing the tango" Mano a Mano ", to which he replied:
" That tango Gardel found his best interpreter. Try to sing it for me irreverence "
" For more than twenty years, I joined Carlos Gardel the closest friendship. I wish to record the admiration that I always felt towards those who believe the greatest interpreter of popular song Argentina "
On one occasion asked him why he was not singing the tango" Mano a Mano ", to which he replied:
" That tango Gardel found his best interpreter. Try to sing it for me irreverence "
Memories of the last performance as an actor on the stage of Teatro Sarmiento. The song of the neighborhoods, released July 18, 1934
"In this season, at a function held after the shows, a tribute to playwright Jose Gonzalez Castillo and benefit of the Relief Fund Society Actors Argentina took place the episode was the most pleasant memories of my career. Before an audience that could be qualified in most of our top actresses and our top actors, writers and journalists, to finish singing the tango "I do not know why I love you, "the applause was so great that I lavished the public Canaro had to run three times the introduction, because the applause would not stop ... This show of affection from my colleagues, produced in me an emotion so intense and unforgettable, having to do an encore of the tango in the middle of the emotion that almost prevented me sing ... "
After "In this season, at a function held after the shows, a tribute to playwright Jose Gonzalez Castillo and benefit of the Relief Fund Society Actors Argentina took place the episode was the most pleasant memories of my career. Before an audience that could be qualified in most of our top actresses and our top actors, writers and journalists, to finish singing the tango "I do not know why I love you, "the applause was so great that I lavished the public Canaro had to run three times the introduction, because the applause would not stop ... This show of affection from my colleagues, produced in me an emotion so intense and unforgettable, having to do an encore of the tango in the middle of the emotion that almost prevented me sing ... "
removal ... "I live for my memories. This is for me a location point to look back without sadness, but with a sweet and deep nostalgia ... "
" I have a doctor son and two grandchildren. I note that much of my success I owe to my unforgettable wife the companion of a lifetime, she encouraged me in uncertain times and to keep it more deeply the love of a lifetime "
Remembering Francisco García Giménez
One day I said Corsini sad:
"What of those nights I was triumphant?
Cartitas perfumed promises cute mouths and eyes, and a trunk of applause. In total, nothing. "
I could answer here:
- Is not nothing left something to remember, Ignacio friend? ... "
Sources:
- Dr. Ignacio Corsini (h)." Ignacio Corsini, My Father "- Editorial Todo es Historia, 1979.
- Ruben Pesce." History of Tango . The voices of tango III. Ignacio Corsini "- Editorial Corregidor.
- Dr. Ignacio Corsini (h)." Ignacio Corsini, My Father "- Editorial Todo es Historia, 1979.
- Ruben Pesce." History of Tango . The voices of tango III. Ignacio Corsini "- Editorial Corregidor.
1978 - Garcia Gimenez, Francisco" Thus was born the tangos "- Editorial Losada - 1965
-" Correo de la tarde ", interview published on March 6, 1963.
-" Correo de la tarde ", interview published on March 6, 1963.
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